Symbols and Symbolism in Charlotte Perkins Gilmans The Yellow Wallpaper :: Gilman Yellow Wallpaper Essays Papers

Symbols and Symbolism in Charlotte Perkins Gilmans The Yellow Wallpaper Reflecting their role in society, women in literature are often portrayed in a position that is dominated by men. Especially in the nineteenth century, women were repressed and controlled by their husbands as well as other male influences. In The Yellow WallPaper, by Charlotte Perkins Gilman, the protagonist is oppressed and represents the effect of the oppression of women in society. This effect is created by the use of complex symbolisations such as the house, the window, and the wall-paper which facilitate her oppression as well as her self expression. It is customary to find the symbol of the house as representing a secure place for a womans transformation and her release of self expression. However, in this story, the house is not her own and she does not want to be in it. She declares it is haunted, and that there is something queer about it. Although she acknowledges the beauty of the house and especial ly what surrounds it, she constantly goes back to her feeling that there is something strange about the house. Her impression is like a premonition for the transformation that takes place in herself while she is there. In this way the house still is the cocoon for her transformation. It does not take the form of the traditional symbol of security for the domestic activities of a woman, but it does allow for and contain her metamorphosis. The house also facilitates her release, accommodating her, her writing and her thoughts. These two activities evolve because of the fact that she is kept in the house. One specific characteristic of the house that symbolizes not only her potential but also her trapped feeling is the window. Traditionally this symbol represents a debate of possibilities, but now it also becomes a view to what she does not want to see. Through it she sees all that she could be and everything that she could have. But she says near the end, I dont like to appear out of the windows even - there are so many of those creeping women, and they creep so fast. She knows that she has to hide and lie low she has to creep in pasture to be a part of society and she does not want to see all the other women who have to do the same because she knows they are a formula of herself.